Series
Projects
Body Ebro (La Entrega III)
Body Ebro is an artistic project that explores the river as body, border, and archive. It is based on a journey on foot from the source of the Ebro to its mouth in the Mediterranean, establishing a dialogue between the body-artist and the river-body as a space of collective memory. Inspired by Sequere, a previous project by Marco Noris, Body Ebro proposes a real-time reading of the territory, where the act of walking activates a new embodiment of memory, linking geography, history, and climate emergency.
Sequere (La Entrega II)
It is an artistic project about time and memory that begins with a symbolic act: collecting water at the mouth of the Ebro and walking upstream to return it to the source of the Segre River, the main tributary of the Ebro. The artist’s gaze and their body moving through space and time become instruments to activate a poetic reading of the territory: experiences along the route and through the traversed space—with its geography, toponyms, cities, and mountains—serve as the trigger for an investigation into historical memory, human relations, and the territory.
The Open Shore (La vora oberta)
“La vora oberta” begins with a journey along the Siurana river, from its source in the Prades Mountains to its confluence with the Ebro. The project addresses the water transfer to Riudecanyes as a territorial and symbolic wound that empties the river’s natural course and turns it into an extracted body. Between action and pictorial record, the project traces a poetic reading of dependence, displacement, and the territory’s survival.
La Entrega - Act I
“La Entrega” is a project conceived as a set of actions—acts—where walking is the main motor. The title refers to the double meaning of the word: to give and to give oneself, an ambivalence common to artistic practice and walking. The first act of La Entrega was a 350-kilometre route, walking for 21 days from the artist’s studio in Barcelona to the Centre d’Art i Natura in Farrera, a small village in the Pyrenees.
Ephemeral Informalism
"This indiscreet picture of the neighbors’ daily activities gives an example of the importance of subjectivity when introducing changes as far as the perception of the commonplace is concerned. His ephemeral informalism (…) form a representation of the poetic power of painting to refer to complex issues such as how the individual fits into the social body.“ (Amanda Cuesta)"
