Installation and space
Lighting the void (Enllumenant el buit)
Lighting the void (Enllumenant el buit) is a research project on the history of the village of Envall in the Vall Fosca, depopulated in the 1960s and now undergoing repopulation. The research will culminate in an installation in the former Romanesque church of the village, converted into a public facility.
Transmutations
This project consists of a pictorial series and a site-specific installation in Garzón, where the landscape is transformed through water, time, and natural agents. Noris deconstructs territory and matter, balancing control and chance. Thirty square metres of painting and rural objects shape a space of experimentation in which human gesture, memory, and natural processes intertwine.
La Pell de la Terra
These abstract paintings, which evoke paths, earth, and stone, take shape as post-historical altarpieces that transform both ancient places of worship and contemporary exhibition spaces into contemplative environments dedicated to a sacredness that is both new and ancient—inclusive, universal, and non-denominational—placing the earth and the mountain at the center of the visitor’s inner experience.
Within the Skin of the Earth
Dins La pell de la terra (entre cims i cavallons) —literally Within the skin of the earth (between peaks and furrows)— is an intervention by Marco Noris presented in halls 1–3 of the former Cal Trepat foundry in Tàrrega, on the occasion of the exhibition Un món fràgil (Embarrat, 2021).
Paratext #7
In November 2015, at Hangar Barcelona, Marco Noris presented a performative action linked to his painting project in progress, centred on the notions of exile, uprooting, historical memory and contemporary migration policies. During the presentation he constructed a live mind map on the wall, articulated through videos, photographs, objects, paintings and texts, connected by arrows and annotations, thus translating a hypertextual organisation system into physical space. The action, lasting about 40 minutes, was received very positively and culminated in the exhibition of a 15-metre-long mural composed of 52 pieces.